What makes a world interesting? The stories it can tell.

Designed missions across the Strangers and Freaks strands, then spent nine months on-site at Rockstar North building heist-preparation missions — the setup jobs that feed the game's marquee scores. The tapes below are a slice of them.

I also shipped the getaway-vehicle mechanic, new to the series — letting players choose and stage their own escape vehicle for a heist, built for maximum freedom while staying heavily optimised — and the first moving mission trigger in a GTA title.

Owned side-mission strands including The Gunslingers and the loansharking line, plus the systems beneath them — handling their unlocking, world-map blips and asset loading.

As senior designer I held much of the team's scripting knowledge, supporting designers across the studio and keeping work moving under heavy deadlines. The leads credited that support with both lifting the team's skills and steadying it under pressure.

Took mission designs from first concept through to release, and was sent to Team Bondi to fix issues that threatened the game's launch — chosen for my knowledge of their systems and for slotting quickly into a new team.

The tapes are Street Crime cases I built.

Designed a wide range of set-piece missions from whitebox to release on a high-profile licensed brand — integrating assets, balancing mid-to-late-game difficulty, and helping push the studio's newly created scripting language to production quality.